The Wind in the Willows
Adapted by John Morley from the book by Kenneth Grahame
25th – 27th April 2024 (with Saturday Matinee)
The Cast
Toad: Pete Watt
Ratty: George Buckland
Mole: Alan Johnson
Mr Badger: Paul Shave
The Chief Weasel: H Connolly
Mrs Otter/Fiona/Flo/Weasel: Lynne Buckland
Magistrate/Dobbin: Eric Saxton
Clerk/Bargewoman/Gypsy/Patsy/Weasel: Liz Saxton
Jenny/Gypsy/Reg/Weasel: Naomi Read
Zelda/Maggie/Rabbit/Weasel: Mary Warrington
Policeman: Ian Hickling
Gypsy/Nelly/Weasel/Rabbit: Brenda Prior
Rabbit/Clementina/Gypsy/Weasel: Ann Griffiths
Portly/Weasel: Maisie Saxton Browne
Director: Phil Prior
Newbury Weekly News review
Hiss and boo for Compton’s weasely villains
The Compton Players’ performance of The Wind in The Willows, adapted by John Morley from the book by Kenneth Grahame, had a joyous element of panto to it, with many a song and dance spread throughout the production of this well-known play and Phil Prior’s direction kept things moving at a brisk pace.
Pete Watt gave a strong and energetic performance as Toad and was supported nicely by George Buckland as Ratty, Alan Johnson as Mole and Paul Shave as Mr Badger.
The Chief Weasel was excellently portrayed as the villain of the piece by H Connolly, resulting in much booing and hissing from the audience.
The ensemble playing various supporting characters and animals were fun and special mention must be made for their can-can dancing and to Maisie Saxton Browne, a young member making her debut as Portly, the young otter.
It can be a risk for an amateur group to launch into song, and in this case there were obviously some more experienced singers in the cast who kept the numbers swinging when others faltered a little. Eric Saxton as the magistrate was in marvellous voice.
The cast and crew put together a lovely set with painted 2D props portraying Toad’s caravan and the car he steals from an unsuspecting couple, and the cast were able to make good use of the space during chase scenes.
Dobbin the horse could have benefited from an actor at his rear end, however the contraption rigged up must be given its due.
Sound and lighting were well executed and unobtrusive, although it would have added to the ambiance to have some music playing before the show and during the interval.
It should also be acknowledged that some stereotypes are becoming less acceptable in modern times and as such, the scenes with the gypsy women could perhaps be reconsidered in future.
The audience responded with vigour throughout, booing the villains and laughing with the heroes.
The show was very well received by young and old and I look forward to finding out what the Compton Players have planned for their next performance.
LOUISE SHORE